New York Art Tours Jane Lombard Sites of Knowledge

Opening: Thursday, June 8, 6–8pm, reception & alive painting operation by Enrico Isamu Oyama and ice sculpture by Simone Douglas

Artists: Richard Artschwager, Henri Chopin, Simone Douglas, Guy Laramée, Jen Mazza,  Kristin McIver, Enrico Isamu Ōyama, Michael Rakowitz, Karen Schiff, Sophie Tottie

Curated by Melissa Bianca Amore & William Stover
Jane Lombard Gallery is pleased to presentSites of Knowledge, a group exhibition curated by the collaborative Re-Sited. The artists, through various mediums, examine the function of the "symbol" and language per se as their primary apparatus. In many ways, these artists return to ideologies and techniques once employed past the concrete poets, using linguistic fragments or elements as structural visual form and typographical aesthetic.

Renowned American artistRichard Artschwager sculpted words and translated perceptions into tangible objects, recontextualizing everyday objects, and creating new forms from traditional visual representations of language. The exclamation point featured in the exhibition represents the arbitrary relationship between course and meaning, and reinforces the artist's dedication to playfully challenging the preconceived associations in language.

French avant-garde pioneer of physical and sound verseHenri Chopin's series of typewriter poems—ordactylopoèmes—correspond the possibilities and significance of carrying meaning through visual symmetries, employing text as a concept to exist experienced rather than comprehended. During the 1950s, Chopin began experimenting with everyday sounds by recording vibrations and basic movements, creating a series of sound shapes that investigate the psychological human relationship betwixt audio and object.

Australian-born artistSimone Douglas'due south investigates the making of "civilization" equally a living history and the creation of "language." Douglas's piece of work represents the disappearance of oral traditions, storytelling, and the dissolving nature of history and civilisation. During the opening, the sculpture transitions from ice to water in a symbolic gesture referencing the disappearance of oral histories and civilization as the site of language.

French-Canadian creative personGuy Laramée retraces the disappearance of the written discussion by carving and cut directly into erstwhile books, creating new topographical landscapes from discarded pages.The 1000 Library features fourscore books from Encyclopedia Britannica, challenging the foundation of knowledge, the work becoming a new "site" of knowledge.

Jen Mazza's paintings explore the translation of ideas and knowledge betwixt languages and from i grade to another, too as what is gained or lost in the procedure. Mazza sees formal parallels betwixt painting and the book, explaining that "the process of creating the paintings is also a dialogue with form and ideas…each prototype begins as a near abstraction, the book is reduced to its rectangular form placed so equally to be somewhat antagonistic to its support, with images and text only appearing later in the process."

Kristin McIver examines the vocabulary of social media and the ways in which technology has reshaped the mode of exchange and the employment of language. McIver proposes that ideologies served to consumers through traditional and social media, empowered by advancing technologies and driven past market place forces, go referents for new models of self-representation. Her workIndebted to you charts the US national debt figure, recorded at the same time of twenty-four hour period over a period of 40 days.

Japanese-Italian artistEnrico Isamu Ōyama is inspired by graffiti, particularly the stylized letters of the author'due south "tag." Removing the letter of the alphabet shapes, Oyama keeps only the flowing line, repeating it to create an abstract motif or a purely visual object. Oyama examines the psychology of attaching "a name" to something or someone, and the significance of language every bit the foundation of identity and ego.

Using stone quarried from the ruins of a 6th century sandstone Buddha destroyed by the Taliban in 2001,Michael Rakowitz, with help from Afghani and Italian stone carvers, remade books from the Land Library of Hesse-Kassel that were destroyed during bombing by the British Royal Air Force in World War II. For Rakowitz, the work underscores the notion that while the physical tin be destroyed, beliefs, ideas, and noesis can never exist eliminated.

Karen Schiff is an creative person and wordsmith who combines visual and verbal into new configurations. Schiff'southward drawings, paintings, installations, videos, and performances play with sensory dimensions of language and haptic experiences of space. HerAgnes Martin Obituary Project drawings are not merely homage only a "give thanks-you letter" to the adult female who has been a major motivating factor in her piece of work.

Swedish-born artistSophie Tottie reveals physical space between things, examining the line as spatial demarcation, thinking apparatus, and the structural foundation of words and ideas. InWritten Linguistic communication, Tottie illustrates the importance of the line through meticulous repetitive movement, composing a conceptual symphony simply through repetition itself. These works resemble the beginnings of mark making, a place or psychological space that existed prior to comprehension equally understood today.

Sites of Knowledge addresses critical ideas nigh history, authorship and visual structures of knowledge. Indirectly, the curators question how nosotros "look" at cognition and engage with the complexities of our commonage history—both imagined and observed. Noesis is primarily understood as the ground to knowing, the basis to creating a network of associations and the relationship between retentiveness and history. So, we will go along to ask: what is the "site" of knowledge?

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Source: https://www.art-agenda.com/announcements/184667/sites-of-knowledge

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